- “Lawrence Tierney: Face of a Cop Hater” by Burt Kearns
- “Mid Dive” by Dane Ince
- “O Captain My Captain” by Jo Perry
- “Donald Ray Pollack: A Grit-Lit Trailblazer” by William Blick
- “Unfruitful Works of Darkness” by Ly Faulk
- Hope in Uncertainty: Filmmaker Doug Cunningham on Highway
- “Red Lightning” by Ly Faulk
- “Noir with a Social Conscience: Ride the Pink Horse (1946)” by William Blick
- “Jim Dandy to the Rescue” by D. V. Bennett
- “Kakure Kirishitan: Our Sacred Oribe” by David Ryan
- “Street Sweeping in the City that Works” by David Hagerty
- “Uncanny Valley” By Gary D. Rhodes
- “No stupid moves: Frank Oz’s The Score” By Anees Aref
- “Retribution, with Extreme Prejudice” by Glen Bush
- “Jonathan Latimer, Skilled Artisan of the Crime Genre: Headed for a Hearse (1935)” By WIlliam Blick
- “Jim Thompson’s Cropper’s Cabin” by Jay A. Gertzman
- “Penny For Your Thoughts, Or A Razor” by Tia Ja’nae
- “Resistance to Conformity: Eva Vitija’s Loving Highsmith” by Melanie Marotta
- “Jane Doe #11-12” by Don Thompson
- “Lawrence Tierney: Poverty Row” by Burt Kearns
- “No Escape: Three Noir Executions” by Matthew Sorrento
- “Knowing You’re Good: Joe R. Lansdale on Elmore Leonard” by Andrew J. Rausch
- “Zocco Chico” by Kurt McGill
- “Bring Me the Dead of Jerry Garcia” by Mark Mellon
- “Back to Troubled Grounds: The Two Jakes” By Anees Aref
- Preview: “Fernando Ayala’s The Bitter Stems (1956)” by Jeremy Carr
- “Get Back Again” by M.T. Williams
- “LA Christmas Present” by Tony Dawson
- “Walking the Fine Line: Leonardo Padura and ‘Havana Noir’” By William Blick
- “Flashbacks and ‘Second Sight’: The Ravine” by Ken Hall
- Help NoirCon Return in 2022
- “Hard Case Crime, April 2022: It’s Westlake!” by Matthew Sorrento
- “Resurrection” by Barbara Buckley Ristine
- “Dead at the Center: Enigmatic Noir Femmes and Psychopaths” by Ken Hall
- “Oh and One” by Joseph Hirsch
- “Headline: City Mourns Slain Pol, Chicago Style” by David Hagerty
- “Race, Corruption, and Cover-ups: Aaron Clark on Under Color of Law” by Johnnie Hobbs III
- “The Prodigy” by Jim Towns
- “Graham Moore’s Unified and Inventive The Outfit” by Ken Hall
- “Le Roi de la Porno” by Charles Rammelkamp
- “’It was raining, but it wouldn’t last’: An Interview with James Kestrel on Five Decembers” by Theresa Rodewald
- “Eight O’Clock Sharp” by James McCrone
- Corporate Gangsters, Rogue Cops, and Big Heists: on Gangster Noir (Preview)
- “Swamp Witch Blues” by Jason M. Tucker
- “Leaving Rock Bottom” by Robb T. White
- “Literary Mixtape: Coming Through in Waves – Crime Fiction Inspired by Pink Floyd” by John Talbird
- “Charged with Manslaughter in Her Boyfriend’s Suicide” by Charles Rammelkamp
- “Femme Fatale Assassins and the Time Clock” by Ken Hall
- “Urbanología” by Giovanni Mangiante
- “Tenderloin” by Steve Carr
- NoirCon Returns in 2022 with a Virtual Conference
- Nuts and Bolts to the Eight Steps: Paul Tomlinson on Writing the Crime Thriller
- “Making Amends” by Julian Grant
- “Writing from an Illusion: Dashiell Hammett (1894-1961)” by Matthew Sorrento
- “Kitty at the Window” by Barry Gifford
- “Daniel Woodrell: Pulp Outlaw and Pioneer of Rural Noir” by William Blick
- “The Ad-Man” by Brad K. Hawley
- “Peacemaker” by Gary D. Rhodes
- “The Stranger and the Etiquette of Post-War Life” by Richmond B. Adams
- “Marketing The Sleeping City to The City That Never Sleeps” by Kurt Brokaw
- “The Wonderland Murders: an Interview with Michael Connelly” by Roger Leatherwood
- “Boilermaker” by Susan Hammerman
- “She Walks” by Matthew Sorrento
- “A Bleak 2020 Begins: from Status Update” by George Toles
- “Eldritch” by Gary D. Rhodes
- “Death and Gingerbread” by Joseph Hirsch
- “At the Other End of the Hall” by Kevin Pilkington
- “Nursemaid, Heavyweight, Gatekeeper to the Stars” by Dan Bronson
- “From Ridge to Norristown: A Few Days Away” by Tony Knighton
- “An Inclusive Genre”: Stephen Jones on The Art of Pulp Horror
- “Geek” by Matthew Sorrento
- “Gray” by Gerald So
- “Stranger Dangers: Sexuality, Adolescence and The End of Everything” by K.A. Laity
- “Wikipedian Was” by Joseph Hirsch
- “Noir at MoMA: Two Recollections” by Kurt Brokaw
- “Death Takes a Byline: the Interview” by D.S. Lliteras
- “All You Need is a Gun and a Girl” by Jim Towns
- “My Father Met Jayne Mansfield” by Joseph Hirsch
- “Training” by Charles Rammelkamp
- “Hard Case Crime, December 2020: Unlikely Masters” by Matthew Sorrento
- “Winter’s Perdition” by Mark Krajnak
- “The World Out There: from the Book Purgatory” by John Talbird
- “From Witness to Victim: the Story of Donna Gentile” by Anita DeFrancesco
- “Alphaville (1965): Godard’s Noir Transformation” by Tony Williams
- “The Girlfriend Problem” by Matthew Sorrento
- “Worlds of Weird: Paul Green on Weird Detectives” by Ali Moosavi
- “Bad Girls, RIP” by Charles Pappas
- “Noir Inside and Out: Two Retrospectives” by Kurt Brokaw
- “Madison Avenue Noir” by Kurt Brokaw
- “Night Shoot” by Nat Segaloff
- “In the 19th Arrondissement” by Mitchell Grabois
- “The Dump Truck of Self” by Mitchell Grabois
- “Bakersfield: Kern River, June 13” by Pierre Ouellette
- “Sugar Water” by Charles Willeford
- “I Detest All My Sins” [Excerpt] by Lanny Larcinese
- “The Movie Makers” [Excerpt] by Gary Phillips
- “See No Evil” by Peter DiChellis
- “At the Junctions of Epiphany” by Les Wicks
- “A Question of Execution” by Basil Rosa
- “Coffin Dress Girl” by Heather Santo
- “Noir” by Charles Rammelkamp
- “The Stew Pot” by Steve Carr
- “The Coming Storm” by D. V. Bennett
- “Nightfall” [excerpt] by David Goodis
- “Much Worse Ways” by Joseph Hirsch
- “A Mother’s Heart” by Carol Smail
- “White Summer” by Brian Greene
- “One-Shot Deal” by R. Daniel Lester
- “You Don’t Pencil” [excerpt] by Jim Nisbet
- “End of the Line” [excerpt] by Bert and Dolores Hitchens
- “Angel of NoirCon” by Ken Bruen
- “The Action Man” [excerpt] by Jay Flynn
- “Cheap Hotels, Economical Crash Pads, and Low-Budget Hash Houses” by Peter Rozovsky
- “Bit Player” by Jim Shaffer
- “The El Segundo Saga” by Jenean McBrearty
- “Echoes of a Breath,” “First Day,” and “Ping Like a Dream” by Fabrice Poussin
- “Pity the Night” by Mark Krajnak
- “The Baby Doll Murders” [excerpt] by James O. Causey
- “Make Mine Bloody” by Paul Greenberg
- “Lambs” by Kent Anderson
- “Awoke by D-Ray’s B-Day Muddle” by Chas Hansen
- “Riot at the Cattle Prod” by Jim Ruland
- Interview: Iain McIntyre by Andrew Nette
- “The Silver Dagger” by Robert Cooperman
- “Border Feud” by Lance Mason
- “Rehab” by Martin Goolsarran
- “The Kick The Bucket Tour” by Jo Perry
- “XXX Marks the Spot” by J.L. Delozier
- “Wasn’t Tomorrow Wonderful?” by Melanie Dante
- “Green Men on Horseback in Baltimore” by Clarinda Harris
- “The Orth-Daly Case” by Ben Himmelfarb
- “Down Solo” [excerpt] by Earl Javorsky
- “The Hard Summer That Laura Made Harder” by Brian Greene
- “The Best A Man Can Get” by T.L. Huchu
- “Wakes” by D.V. Bennett
- “Roadkill” by Stephen D. Rogers
- “The Matter of the Smallgarian Wall and the Portuguese Undertaker” by Steve Levi
- “Kind of Blue” by Andy Rausch
- “Quiet and the Darkness” by Matt Phillips
- “Alex” by Chris Roy
- “Writing Saved My Life” by Chris Roy
- “The Forest for the Trees” by Thomas Pluck
- “Requiem For Spider” by Reed Farrel Coleman
- “Key to the Highway” by Joseph Goodrich
- Excerpts from “Hostage for a Hood” and “The Merriweather File” by Lionel White
- “The Cleaner” by Sharon Dempsey
- “These Toys Are for Tough Boys” by Graham Wynd
- “Venus in Fake Furs” by Tom Leins
- “Boom” by Mark Mayes
- “Luck” by Mark SaFranko
- “A Couple Words, a Kite, a Piece of String” by Robb T. White
- “Florida Weird” by Jaap Boekestein
- “Pongo’s Lucky Day” by Craig Faustus Buck
- “Capital Story” by Nick Sweeney
- “Frankie” by Warren Moore
- “Mr. Sparkles” by David Rachels
- “Voices” by Jack Dann
- “The Short Tale of Msgr. Pigeon” by John McCann
- “Hollywood Homicide in the Seventies: The Snake and Bake Murder” by Steve Hodel
- Lithographs by Ann Chernow
- “What Dora’s Daughter Did” by Charles Rammelkamp
- “Honky-Tonk Nights” by Robert Cooperman
- “Whiplash Redemption” by Mark Krajnak
- “No One Is Innocent” by Paul D. Brazill
- “Poor Roy’s Picaresque” by Joseph Hirsch
- “Hellbenders” by Chris McGinley
- “Why?” by Gerald So
- “A Tragedy of the Common Man: Sam Ross’ He Ran All the Way (1947)” by Jay Gertzman
- “The Myths” by J.D. Smith
- “It’s a Noir World” by Woody Haut
- “Walking Amsterdam” by Patricia Abbott
- “Bar Room Butterfly” by Barry Gifford
- “Bail, and Other Bonds” by Joseph Hirsch
- “Steak-n-Cheese” by Mike Madden
- “The Good Cat” by Vicki Hendricks
- “Easy Go” by Rick Ollerman
Retreats from Oblivion: The Journal of NoirCon
Noir, crime, and mystery short stories, scholarship, and so much more
Retreats from Oblivion: The Journal of NoirCon 