“The Endearing and the Enduring: On The Companion Guide to The Godfather Trilogy” by William Blick

BOOK REVIEW: “An incisive look at the films through the lens of a scholar, critic, and fan….”

“Guts, Grit, and Glorious Pulp: Edward S. Aarons’ Death in a Lighthouse and Murder Money” by William Blick

BOOK REVIEW: “Aarons’ work is full of many skillful riffs as seen in this pair of rollicking page-burners….”

Preview: “Home Invasion Horrors” by William Blick

ARTICLE PREVIEW: “The last word on this niche genre, with a dense amount of information….”

“Vivid Evocations and Deadly Revelations: Manhattan Death Ballad” by WIlliam Blick

BOOK REVIEW: “Jakubowski in the end absolutely triumphs with his rhapsodic prose….”

“Keeping the Flame Alive: Dan Bronson’s Shout at the Devil” by WIlliam Blick

BOOK REVIEW: “A return to these origins is refreshing as compared to many of the contributions to the current state of the crime novel….”

“Murder, Mayhem, and Music: 120 Murders” by William Blick

BOOK REVIEW: “Chock full of beautiful, at times frightening and enchanting, and always iconoclastic tales, featuring heavy-hitting genre authors at the top of their games….”

“An Auteur’s High Points –The Greatest Gangster Movie You’ve Never Seen: Abel Ferrara’s The Funeral” by William Blick

BOOK REVIEW: “A candid and insightful look into Ferrara’s creative process….”

“Preview: It Lives! Andrew Repasky McElhinney on A Chronicle of Corpses” by William Blick

PREVIEW: “Aren’t all genre films structuralist in nature? Isn’t everyone either obeying or disobeying genre conventions?”

“Destined to Remember: Anthony Giacchino on The True Crimes of Black Hand New York Podcast” by William Blick

INTERVIEW: “I think that there is an untold story about immigration in the country. When you hear about immigration, it is used politically…. It is more that there has always been a history of tension when groups of new people come to this country….”

“The Kitchen-Sink Crime Drama: William Boyle on Saint of the Narrows Street” by WIlliam Blick

INTERVIEW: “I call it ‘kitchen sink crime drama.’ I was influenced by the realism of the 1950s and 1960s…novels, plays, and movies like Saturday Night and Sunday Morning, This Sporting Life, and Look Back in Anger. They are all a big influence on this work….”