“Jim Thompson’s Cropper’s Cabin” by Jay A. Gertzman

NONFICTION: “There are three outstanding features of Thompson’s novel: (1) the Shakespearean intensity of love and hate depicted in closely bound men and women; (2) the simmering resentment, shame, and fear existing between Oklahomans and Native American descendants of the Five civilized Tribes; and (3) Thompson‘s and Caldwell’s versions of Southern Gothic melodrama.”

“Lawrence Tierney: Poverty Row” by Burt Kearns

BIOGRAPHY: “Lawrence Tierney was at loose ends when he learned about the Dillinger picture. Caught in the middle of RKO’s indecision and rejection elsewhere, living in a furnished room with little money, he was considering a way out….”

“Walking the Fine Line: Leonardo Padura and ‘Havana Noir’” By William Blick

NONFICTION: “Padura has had to walk a fine line in his writing as he faces restrictive elements from the Cuban government, while being realistic about the state of his society….”

“Hard Case Crime, April 2022: It’s Westlake!” by Matthew Sorrento

NONFICTION: “As the renown imprint presents the last unpublished novel by the author, it delivers one of his most unique and rewarding….”

“Dead at the Center: Enigmatic Noir Femmes and Psychopaths” by Ken Hall

NONFICTION: “Such characters differ in their affect from another class of noir figures, those who seem ‘dead at the center,’ displaying little or no genuine emotion as they proceed through the narrative. Perhaps these characters might be classified popularly as ‘psychopaths,’ although the definition of the term according to psychological theory and practice is complex….”

“Literary Mixtape: Coming Through in Waves – Crime Fiction Inspired by Pink Floyd” by John Talbird

REVIEW ESSAY: “Pink Floyd were so cerebral. Dark, but in a post-apocalyptic-cum-dystopian sci-fi kind of way, not a crime story way. However, the anthology, edited by crime writer and memoirist T. Fox Dunham, makes a certain kind of twisted sense.”

“Femme Fatale Assassins and the Time Clock” by Ken Hall

NONFICTION: “A more recent twist on the general narrative arc [of the hitwoman] places the female assassin as a child, perhaps orphaned, but certainly appropriated by a handler, who is trained from an early age, in a morally perverse adoption scenario, to become the ideal robotic killer…..”

“Writing from an Illusion: Dashiell Hammett (1894-1961)” by Matthew Sorrento

NONFICTION: “The Hammett detective seeks any clues he can but is unable to recreate narratives through induction/deduction, hence his need to shake things up and unlock loose parts in the disorder he has confronted….”

“Daniel Woodrell: Pulp Outlaw and Pioneer of Rural Noir” by William Blick

NONFICTION: “Woodrell’s visceral and raw prose, combined with precise perception of stark, menacing environments and characters’ flaws and virtues….deserves to be recognized as part of the American literary landscape in the tradition of Faulkner, O’Connor, and McCarthy….”

“The Stranger and the Etiquette of Post-War Life” by Richmond B. Adams

NONFICTION: “Welles’s war-time writings demonstrated his concern that America, even as it celebrated military victory, might, in its naiveté, overlook the possibility of a rebirth of ‘fascism in America’ which could take root among ‘the sons of America’s first families.’ It is the ways in which Welles blends such historical concerns to various ongoing cultural traditions that make The Stranger a far more important film noir than has been generally thought….”