“Charged with Manslaughter in Her Boyfriend’s Suicide” by Charles Rammelkamp
POETRY: “goading him to take his life, / Lola claimed it was free speech….”
Read More “Charged with Manslaughter in Her Boyfriend’s Suicide” by Charles Rammelkamp
Noir, crime, and mystery short stories, scholarship, and so much more
POETRY: “goading him to take his life, / Lola claimed it was free speech….”
Read More “Charged with Manslaughter in Her Boyfriend’s Suicide” by Charles RammelkampNONFICTION: “A more recent twist on the general narrative arc [of the hitwoman] places the female assassin as a child, perhaps orphaned, but certainly appropriated by a handler, who is trained from an early age, in a morally perverse adoption scenario, to become the ideal robotic killer…..”
Read More “Femme Fatale Assassins and the Time Clock” by Ken HallPOETRY: “the closest they got to heaven….”
Read More “Urbanología” by Giovanni MangianteFICTION: “I still wear my dog tags. They remind me of who I am, or was…. No one can see the damage but me.”
Read More “Tenderloin” by Steve CarrShare your ideas and help shape the NoirCon Virtual Edition in 2022 by taking our survey…. NoirCon is planning a virtual conference in October 2022, and we need your input to make it the best conference possible! We kindly ask that you fill out the following survey, which will help us plan for the event. All […]
Read More NoirCon Returns in 2022 with a Virtual ConferenceINTERVIEW: “Thrillers are more complicated because there’s a lot more variation – many more sub-genres…. All the plots have much in common, but they all have distinct features that readers or film viewers demand – the genre conventions or tropes. Many writers don’t realise how important these are….”
Read More Nuts and Bolts to the Eight Steps: Paul Tomlinson on Writing the Crime ThrillerFICTION: “And then nothing…. I explained to them the importance of making amends, the value of a rigorous moral inventory and doing the right thing….”
Read More “Making Amends” by Julian GrantNONFICTION: “The Hammett detective seeks any clues he can but is unable to recreate narratives through induction/deduction, hence his need to shake things up and unlock loose parts in the disorder he has confronted….”
Read More “Writing from an Illusion: Dashiell Hammett (1894-1961)” by Matthew SorrentoNOVEL EXCERPT: “You like her, huh?”….“Just looking,” he said. “Do you know her?”
Read More “Kitty at the Window” by Barry GiffordNONFICTION: “Woodrell’s visceral and raw prose, combined with precise perception of stark, menacing environments and characters’ flaws and virtues….deserves to be recognized as part of the American literary landscape in the tradition of Faulkner, O’Connor, and McCarthy….”
Read More “Daniel Woodrell: Pulp Outlaw and Pioneer of Rural Noir” by William Blick