“The Amazing Elasticity of Neo-Noir: Silent as the Grave (2023)” by William Blick

REVIEW: “Dan Gremeley and Brad Padowski’s new release shows the glory of the ever-independent neo-noir film that will be around for a long time….”

“In the World of Pre-Code: Geoffrey O’Brien on Arabian Nights of 1934” (Excerpt)

INTERVIEW EXCERPT: “The book moves through different genres and, finally, through different historical moments, gradually emerging from the alternate world of movies into the worlds of movie-making and movie-watching, as if finally coming out of the theater after a day at the pictures.”….”

“Donald Ray Pollack: A Grit-Lit Trailblazer” by William Blick

NONFICTION: “Bizarre, absurdist, and disturbing, Pollack offers striking revelations…. He attempts to conjure the literary ghosts of a forgotten America.”

“Noir with a Social Conscience: Ride the Pink Horse (1946)” by William Blick

BOOK REVIEW: “Using a distinct setting, a complex anti-hero, a series of unsavory, as well as empathetic characters, and most notably, a social heartbeat, Dorothy B. Hughes’ Ride the Pink Horse offers an extremely compelling journey.”

“Jonathan Latimer, Skilled Artisan of the Crime Genre: Headed for a Hearse (1935)” by William Blick

BOOK REVIEW: “Demonstrates a degree of mastery of plot, character, and structure as the mystery is solved with all twists and turns readers have come to expect from the genre….”

“Walking the Fine Line: Leonardo Padura and ‘Havana Noir’” By William Blick

NONFICTION: “Padura has had to walk a fine line in his writing as he faces restrictive elements from the Cuban government, while being realistic about the state of his society….”

“Daniel Woodrell: Pulp Outlaw and Pioneer of Rural Noir” by William Blick

NONFICTION: “Woodrell’s visceral and raw prose, combined with precise perception of stark, menacing environments and characters’ flaws and virtues….deserves to be recognized as part of the American literary landscape in the tradition of Faulkner, O’Connor, and McCarthy….”