Vitija’s documentary humanizes Highsmith: she does not come across as various writers and theorists have characterized her as, namely odd or antisocial.
At Film International, Melanie Marotta reviews Eva Vitija’s new documentary, Loving Highsmith (2022), which is now playing at New York’s Film Forum concurrently with a Highsmith film series.
Read the review here.
Retreats from Oblivion: The Journal of NoirCon 