New Collection Becoming Nosferatu Features Noir, Horror, and SF/Fantasy

BLOGS: “A new collection featuring stories and poems in the tradition of Nosferatu and other silent expressionist classics….”

Five-Two: Poems on Crime to Relaunch in April

BLOGS: “Seeking your honest, powerful reactions to what you see as crime, couched in poetic technique…”

Dancing on the Edge of the Abyss: Goodisville 2025

BLOGS: Join the Goodis bus tour on March 2 when we’ll visit Philadelphia locations tied to the noir master….

“Too Much of a Noir Ending?: on Late Noir” by Anees Aref

REVIEW ESSAY: “With their bold technical style and themes, Touch of Evil, Elevator to the Gallows, and other late-noirs discussed below opened the door for many later masters….”

Stark House Press Celebrates its 25th Year with an Anthology

BLOGS: “Its first anthology features unpublished stories by featured authors, including Peter Rabe and a novella by Jada M. Davis, along with reprints by Lionel White, Fredric Brown, Barry N. Malzberg, Day Keene, and others….”

RFO Editor to Introduce a Screening of Double Indemnity

BLOGS: “Matthew Sorrento to introduce a screening of Double Indemnity (Billy Wilder, 1944) at The Colonial Theatre in Phoenixville, PA on Sunday, April 28, as part of The Road to Noir City Philadelphia 2024….”

“Complex Nuances in the Underworld: Dusk for a Hitman” by Ken Hall

FILM REVIEW: “A brutal tale of a hitman that is very effectively presented without excessive resort to shock violence….”

NoirCon 2024 Announces Dates in Palm Springs, CA

NOIRCON 2024 will take place NOVEMBER 7-10 2024 in PALM SPRINGS, CALIFORNIA. More details to follow….

“The Amazing Elasticity of Neo-Noir: Silent as the Grave (2023)” by William Blick

REVIEW: “Dan Gremeley and Brad Padowski’s new release shows the glory of the ever-independent neo-noir film that will be around for a long time….”

“In the World of Pre-Code: Geoffrey O’Brien on Arabian Nights of 1934” (Excerpt)

INTERVIEW EXCERPT: “The book moves through different genres and, finally, through different historical moments, gradually emerging from the alternate world of movies into the worlds of movie-making and movie-watching, as if finally coming out of the theater after a day at the pictures.”….”