“Le Roi de la Porno” by Charles Rammelkamp
POETRY: “No doubt about it, a real moneymaker…. Of course it was going to burn.”
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Retreats from Oblivion: The Journal of NoirCon
Noir, crime, and mystery short stories, scholarship, and so much more
POETRY: “No doubt about it, a real moneymaker…. Of course it was going to burn.”
Read More “Le Roi de la Porno” by Charles RammelkampINTERVIEW: “Noir to me is stylistically very interesting because you have this opportunity to explore very intense emotions and situations but to make it in such a stylized fashion, that is still beautiful. That’s what I’m always striving for….”
Read More “’It was raining, but it wouldn’t last’: An Interview with James Kestrel on Five Decembers” by Theresa RodewaldFICTION: “What had been a general resentment of the halfway house and its rules was now a searing hatred….”
Read More “Eight O’Clock Sharp” by James McCroneINTERVIEW: “I realized that ’50s noirs were both more numerous and richer than I had originally imagined…and addressed other subgenres that I felt were essential to understanding midcentury American noir….”
Read More Corporate Gangsters, Rogue Cops, and Big Heists: on Gangster Noir (Preview)FICTION: “Heavy, mud-scented air wafted in from the swamp and was warm enough to build up a sweat just sitting. It made everything a bit more miserable.”
Read More “Swamp Witch Blues” by Jason M. TuckerFICTION: “If there was a bottom beneath where I stood in that March wind, I didn’t want to know it.”
Read More “Leaving Rock Bottom” by Robb T. WhiteREVIEW ESSAY: “Pink Floyd were so cerebral. Dark, but in a post-apocalyptic-cum-dystopian sci-fi kind of way, not a crime story way. However, the anthology, edited by crime writer and memoirist T. Fox Dunham, makes a certain kind of twisted sense.”
Read More “Literary Mixtape: Coming Through in Waves – Crime Fiction Inspired by Pink Floyd” by John TalbirdPOETRY: “goading him to take his life, / Lola claimed it was free speech….”
Read More “Charged with Manslaughter in Her Boyfriend’s Suicide” by Charles RammelkampNONFICTION: “A more recent twist on the general narrative arc [of the hitwoman] places the female assassin as a child, perhaps orphaned, but certainly appropriated by a handler, who is trained from an early age, in a morally perverse adoption scenario, to become the ideal robotic killer…..”
Read More “Femme Fatale Assassins and the Time Clock” by Ken HallPOETRY: “the closest they got to heaven….”
Read More “Urbanología” by Giovanni Mangiante